Wednesday, July 28, 2004
Peter Buffet’s, Spirit – the Seventh Fire
Award winning musician Peter Buffett’s “Spirit” presentation is a mix of Bowie-esque multi-media stage extravaganza, Chip Davis’ Fresh Aire, and a Native American version of Riverdance. Staged in a huge (air conditioned) tent with tiered seating, located on the banks of the Missouri River, Spirit tells the story of a young professional Native man that is drawn back to his native roots and culture in a spiritual awakening.
While the story line is cliché Buffett’s use and setting of Native culture adds a beautiful and unique twist to the story. Admittedly I am a neophyte stage critic and am unable to distinguish kitsch from class; however, Buffett’s use of dance, music, film and setting combine to draw the audience into the experience completely. Since the performance includes members of numerous tribes the audience is treated to a wide variety of Native culture costume and dance. The beauty is in the admiration of the culture.
Buffett’s music is a rock-based presentation with a heavy (Native)use of drumming (*). There are times when the entire band participates in mixture of chant and rhythm with spoken word over the top. All in all this is a bountiful experience and I would encourage readers to check out, ‘Spirit – the Seventh Fire.
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It was during Buffett's performance that I connected the heavy use of drums within Native culture and role of former Indigenous Conga player Horse; who was a second percussionist in a four piece band. Like an epiphany, I realized that Horse's role within the band was based upon their cultural experience. Sadly Horse's substance abuse became a full time occupation and he is no longer with the band.
-----------------------------------On a happier note, Mato's third child was born this week. -----------------------------------
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